Használati útmutató Engl Screamer 50
Olvassa el alább 📖 a magyar nyelvű használati útmutatót Engl Screamer 50 (6 oldal) a Erősítő kategóriában. Ezt az útmutatót 5 ember találta hasznosnak és 2 felhasználó értékelte átlagosan 4.5 csillagra
Oldal 1/6
Please, first read this manual carefully!
Operator´s Manual
Guitar-Amplifier
Screamer 50
Tube
Amp
1 Input: Input¼" unbalanced input. Plug your guitar cord in here.
2 Clean: Input sensitivity control (Gain) for the Clean and the Crunch channels.
(Clean: set the Gain-button 11 to the Lo position, Crunch: set the Gain-button 11 to the Hi position).
A TIP from the Designer: Gain settings depend on what type of pickups are installed in your guitar.
The recommended setting for humbuckers or active pickups lies between the 10 and 1 o’clock
positions and 12 to 3 o’clock for single coils for a pure clean response; the Gain button must be in
the OFF-position.
3 Bright: Alters the EQ by boosting the upper treble range; effectiveness decreases at higher
Gain (2,4) settings; the Bright feature affects all channels.
A TIP from the Designer: For a crisp glassy tone, set the Bright switch to the On position. This
setting boosts the treble response of muddy pickups.
4 Lead: Gain control pot for the Soft Lead channel and the Heavy Lead channel. It controls the amount
of preamp overdrive in the Lead mode. (Soft Lead: set the Gain-button 11 to the Lo position, Heavy
Lead: set the Gain-button to the Hi position).
CAUTION: Extremely high gain and volume levels in the Lead mode can produce
strong feedback. Avoid feedback squeals, they lead to hearing loss and damaged speakers!
A TIP from the Designer: To get Crunch-sounds and Rhythm-sounds set this control between
the 9 and 12 o´clock´s position (depending on the type of pick-up) and leave the Gain 11 pusbutton
in the Off-position.
5 Bass: Bottom end voicing control of the preamps´s passive EQ.
6 Middle: Mid-range voicing control of the preamp´s passive EQ.
7 Treble: Upper range voicing control of the preamp´s passive EQ.
A TIP from the Designer: To get an idea of this amp's capabilities, I suggest you set the tone control
pots Bass (5), Middle (6), Treble (7) and Lead Presence (8) to the 12 o'clock position. For extremely
soft lead, blues or jazz sounds, try setting the Treble knob to somewhere in the 8-to-11 o'clock range.
For aggressive metal riffs or spanky funk sounds, go for something in the range of 11 to 3 o'clock.
8 Lead Presence: This control defines the Treble response in the poweramp stage for
the Lead channel.
A TIP from the Designer: When you've adjusted the amp to relatively loud levels and high Gain
settings reduce the amount of Lead Presence (8) and Treble (7) to prevent annoying feedback that is
generated when your guitar's pickups and the speaker interact—something in the 8-to-12 o'clock
range should do just fine.
9 Reverb: Reverb control, adjusts the portion of the reverb signal and increases reverb intensity
if you rotate it clockwise; the reverb can be switched on/off via the respective footswitch connected
to jack 19 or 21.
Frontpanel
1234 5678910
11 13 14
12
Screamer 50 - delivers the sonic goods—tons of tone and palette of hip sounds from squeaky clean
to hi-gain shred and everything in between. This all-tube beast is your first choice for many different
sound styles! With a host of practical features and a clearly-arranged control panel, handling this amp is a
piece of cake. The Screamer's opulent visuals are certainly arresting, but its unique, creamy tube tone and
silky spring reverb truly set this amplifier apart. The Screamer comes complete with a bit of technical
wizardry which you'll find useful where it counts most—out there in the real world of rehearsing and
gigging. Among these features are a Lo/Hi Gain switch, which in effect doubles your choice of channels
from two—Clean and Lead—to four—the afore-mentioned, plus Crunch and Heavy Lead. You also get two
different connection systems for different footswitches-conventional ¼" jacks as well as a port for the
ENGL compact footswitch Z-5 (optional). And then there's the ingenious feature "V.L.S.", an adapted
version of the extremely popular and highly practical Master A/B switching circuit found on high-end
ENGL heads.
Quality components, excellent workmanship and strict quality control ensure this amp retains its value.
You'll find guidelines on care and maintenance of tube amps on the last page of the manual.
Please read and heed these before operating your amp. You'll also come across boxes shaded grey
throughout the manual. These are located between the descriptions of the amp's functions and
contain handy tips on the preceding function. All critical information pertaining to the operation of
this amp is preceded by "NOTE" or "CAUTION." Please pay particular attention to these safety tips.
The ENGL team wishes you all the best—may you and your amp enjoy a "harmonically rich" future
together!
Clean
Lead
Reverb Lead
Volume MasterClean Lead Bass Middle Treble
PowerStand By
Bright
Screamer 50
Gain
Lo/Hi
Amp
Tub e
Input
15
Lead
Presence
Rear Panel
18 20 22 23 24
16 17
16 AC Socket: Connect an AC cord here.
CAUTION: Ensure you use an intact AC cord with an insulated plug only!
Before you power the amp up, ensure the voltage value printed beside the
AC socket corresponds to the available current.
17 AC Fuse Box: Contains mains fuse (rear chamber) and spare fuse (front chamber).
NOTE: Ensure replacement fuses bear identical ratings (refer to the table)!
18 V.L.S. Ratio: Use this potentiometer to determine the balance between the two master volume
levels. We deliberately left the knob off this pot, but you can rotate the shaft to dial in the desired
preset. If you're operating the amp without a footswitch, "Master Hi" (high-volume mode) is active
and this pot is disabled. You can switch between the Lo and Hi Master volume levels via a standard
dual footswitch connected to Jack 21 (or via the MIDI Switcher) or the Custom Footswitch
connected to Jack 19. Turn the pot's shaft clockwise to turn up the "Master Lo" level.
19 Custom Footswitch Port: Connect the ENGL Custom Footswitch Z-5 (optional) to this port
(Sub-D, 9-pin). This special footswitch lets you activate the four channels directly via dedicated
buttons. V.L.S. (Volume Level Switching) and reverb are activated via two additional buttons.When
the Z-5 footswitch is connected, the Clean/Lead and Gain Lo/Hi buttons on the front panel as well
as footswitch Jacks 20 and 21 are disabled.
20 Footswitch Clean/Lead, Gain Lo/Hi: 1/4" stereo jack for a dual footswitch, executes the
following functions:
1. Channel switching between Clean and Lead (mono terminal).
2. Gain Lo - Hi: switches from Clean to Crunch during Clean mode and
from Soft Lead to Heavy Lead during Lead mode (stereo terminal).
21 Footswitch V.L.S., Reverb: 1/4" stereo jack for a dual footswitch, executes the following
functions:
1. Switching between the two Master volume levels Hi and Lo (mono terminal).
2. Reverb on/off (stereo terminal).
Impotant Note: You can use standard dual footswitches that connect the mono or stereo contact
of the ¼" jack and its ground. An LED that serves as a status indicator can also be connected in
series (power requirements approx. 10 - 20 milliamperes, depending on function). In practice
though we've found that not every footswitch by every manufacturer under the sun is compatible. If
you choose to use the ENGL Z-3 (basic plastic version without LED display) or ENGL Z-4 (rugged
metal version with LED display) footswitches, you won't encounter any compatibility problems.
10 Lead Volume: Volume control for the Lead channel (pre-FX loop, influences the Send level). Use
this knob to dial in the desired balance of levels between the Lead and Clean channels.
11 Gain Lo/Hi: When you press this button, the input sensitivity of both channels is increased.
The Hi-Gain function actually turns Clean into a "Crunch" channel, and Lead into a "Heavy Lead"
channel. It can also be activated via a suitable footswitch connected to Jack 19 or 20; the Gain
Lo/Hi button is automatically disabled when you connect a footswitch.
The yellow LED illuminates to indicate "Hi-Gain" mode is active.
12 Clean/Lead: Channel selector pushbutton for Clean and Lead modes, red LED indicate Lead
mode; This function can also be activated via the respective footswitch connected to jack 19 or 20.
Once a footpedal is connected, the channel selector pushbutton is deactivated.
13 Master: Master volume control for power amp output. The feature to switch between two Master
volume levels (V.L.S. - Lo or Hi) can be accessed by means of the respective footswitch connected to
jack 19 or 20. Adjust the ratio between the two volume levels with the "V.L.S. Ratio" pot
(see chapter 18).
14 Stand By: Power amp standby switch: Use this switch to silence (0 position) the amp when you
take a lengthier break. The amp's tubes stay warm, which means that it is ready to roll immediately
when you switch it back to full power. The standby switch is also well-suited for muting the amp for
brief breaks, for instance when you're switching guitars.
15 Power: AC power on/off.
19 21 25 26 27 28 29 3031 32
F
OOTSWITCH
F.X. L
OOP
S
END
R
ETURN
B
ALANCE
L
EVEL
L
INE
O
UT
F
REQUENCY
C
OMPENSATED
P
OWERAMP
O
UTPUT
DRY EFFECT
V.L.S.
R
EVERB
B
ALANCED
L
INE
O
UTPUT
All-tube
Guitar Amplifier
Screamer 50
C
OMBO:
T
YPE
E330
H
EAD:
T
YPE
E335
Amp-Design by
Horst Langer
MADE IN
GERMANY
DO NOT OPEN !
RISK OF ELECTRIC SHOCK !
DO NOT EXPOSE THIS
EQUIPMENT TO
RAIN OR MOISTURE !
CAUTION !
!
C
LEAN
/ L
EAD
G
AIN
L
O
/H
I
C
AUTION
!
Connect To
Custom
Footswitch
Only !
C
USTOM
F
OOTSWITCH
P
ORT O
VERLOAD
G
ROUND
T
O
P
IN
1
G
ROUND
L
IFTED
L
INE
O
UT
G
ROUND
REPLACE FUSE
ONLY WITH SAME
TYPE AND RATING !
V.L.S.
R
ATIO
816OR 16AND OR-> 16 8OR 8AND
16 O
HMS
S
ERIAL
1 x 16 O
HMS
(U
SE
L
EFT
J
ACK
!)
2 x 8 O
HMS
8 O
HMS
P
ARALLEL
1 x 8
O
HMS
2 x 16 O
HMS
C
OMBO:
I
NTERNAL
S
PEAKER
R
Termékspecifikációk
Márka: | Engl |
Kategória: | Erősítő |
Modell: | Screamer 50 |
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