Használati útmutató M-Audio Tampa

M-Audio nincs kategorizálva Tampa

Olvassa el alább 📖 a magyar nyelvű használati útmutatót M-Audio Tampa (10 oldal) a nincs kategorizálva kategóriában. Ezt az útmutatót 5 ember találta hasznosnak és 2 felhasználó értékelte átlagosan 4.5 csillagra

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Table of Contents

Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2

Temporal Harmonic Alignment . . . . . . . . . . . . . . . . . . . . . . . . . . .2

Dual Optical Servo Compressor . . . . . . . . . . . . . . . . . . . . . . . . . .2

Your TAMPA’s Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2

Front and Rear Panel Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . .3

Front Panel Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3

Rear Panel Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5

Setup and Connection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5

AC power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5

Connecting Your Tampa’s Outputs . . . . . . . . . . . . . . . . . . . . . . . . .6

Power-Up Procedure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8

Connecting To Your Tampa’s Inputs . . . . . . . . . . . . . . . . . . . . . . . .8

TAMPA Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

Setting Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

The Input Impedance Selector . . . . . . . . . . . . . . . . . . . . . . . . . . .11

Using the Phase Invert Switch . . . . . . . . . . . . . . . . . . . . . . . . . . .11

Using the Low-Cut Filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

Setting the Compressor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

TAMPA Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Preamp Specs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Analog Compressor Specs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Technical Support & Contact Information . . . . . . . . . . . . . . . . . . . . . .17

Your TAMPA’s Warranty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

TAMPA Manual

version: Tampa-081602

Introduction

Congratulations on your purchase of the TAMPA, designed and

manufactured by M-Audio. TAMPA is a professional, single channel

microphone/instrument preamp unlike any other.That’s because our design

team set out to discover just why expensive tube technology sounds so

good, and devise a way to land that sound at affordable solid state prices.

The result is far beyond tube modeling. It’s a whole new technology called

Temporal Harmonic Alignment™.

Temporal Harmonic Alignment

—the Secret Behind the Sound: In natural sound sources such as strings,

drum heads and vocal chords, harmonics share a characteristic temporal

(phase) relationship to the fundamental. Our ears exhibit the same

qualities. Solid state electronics induce distortion in the form of additional

harmonics that are out of phase with the original source. Tube-based

devices strike the ear as having such a “warm” sound because the added

harmonics have the same temporal relationship as natural mechanisms

(although predominantly in the midrange).This results in a sweet spot that

makes vocals, guitars and other midrange-rich content sound especially

pleasing. TAMPA’s revolutionary new Temporal Harmonic Alignment

technology produces that same phase relationship found in both tubes and

nature. And unlike tubes, TAMPA’s sweet spot spans the full spectrum of

your sound—from bass to cymbals.

Dual Optical Servo Compressor

TAMPA also includes a dual optical servo compressor that is worth the

price alone. Three fundamental problems plague engineers in designing

compressors—distortion, noise and accuracy.The VCA technology used in

inexpensive compressors exhibits less than professional specs on all three

counts. Simple optical servo technology is much more quiet and accurate,

yet has its own issues with distortion. The dual optical servo technology

we use in TAMPA yields low noise, consistent accuracy, low distortion and

exceptional transparency—and it comes built-in to a great mic preamp.

Your TAMPA’s Features

• Professional mic/instrument preamp with Temporal Harmonic Alignment

• Built-in dual optical servo compressor

• Balanced phantom-powered XLR mic input with variable impedance for

optimized performance with vintage mics

9. LOW CUT: Rolls off 12dB per octave at 80Hz and below when engaged.

Use this to avoid rumble from passing traffic, footsteps and so forth.

10. COMPRESSOR IN/OUT: Engages/disengages the TAMPA’s entire

compressor stage. When disengaged, TAMPA’s compressor circuitry is

removed from the signal path.

11. COMPRESSOR IN/OUT INDICATOR: Lights when the COMPRESSOR

IN/OUT switch is set to the “IN” position to indicate that the compressor

is on and is part of the signal path.

12. THRESHOLD:Threshold level at which the compressor engages. Range is

from –20dB to +20dB.

13. RATIO: Ratio of the input dynamic above the compression threshold to the

output dynamic above the compression threshold. Range is from 1.1:1 to 10:1.

14. ATTACK: Controls the amount of time required for the compressor to

reduce the gain once the threshold level is reached. Range is 1 millisecond

to 11 milliseconds.

15. RELEASE: Controls the amount of time it takes the compressor to return to

normal or zero gain reduction. Range is from 250 milliseconds to 5 seconds.

16. GAIN REDUCTION METER: Provides metering (in decibels) of the

gain reduction resulting from compression, where 0 VU represents

zero gain reduction.

17. OUTPUT METER: Provides metering (in decibels) of TAMPA’s overall output

level (prior to the 20dB PAD), where 0 VU represents +26dBu.This meter is

unaffected by the 20dB PAD switch. Note that this is a `quasi-peak type’

meter whose ballistics respond with approximately the same dynamics as the

human ear.

18. CLIP: Indicator illuminates when output signal reaches +26dBu (approx.

0VU on OUTPUT METER).This is equivalent to approximately 4dB below

the digital clipping level of 30.5dBu.

19. PHASE: Reverses the phase of TAMPA’s output.The INVERT position forces

TAMPA’s analog audio output to be 180 degrees out of phase from the

input, where the NORM position leaves the analog output in phase with

the input. NOTE: Digital output is always in phase with the input.

20. 20dB PAD: When engaged, attenuates TAMPA’s analog output by 20dB—

useful in avoiding the overload of subsequent equipment in the sound

chain. The 20dB pad will also allow you increase the gain on the TAMPA

preamp and force the signal into an area of greater soft-clipping/tube

emulation.The 20dB PAD appears in the TAMPA circuit after the OUTPUT

LEVEL METER. NOTE: Digital output level is not affected by the 20dB pad.

21. SAMPLE RATE:Adjusts the sample rate of TAMPA’s digital outputs to match

the sampling rate of the digital gear TAMPA is feeding. Settings are 44.1kHz,

48kHz, 88.2kHz and 96kHz.

Termékspecifikációk

Márka:	M-Audio
Kategória:	nincs kategorizálva
Modell:	Tampa

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